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Work List

My compositional process is rooted in an ecology of sound, in which expanding the “sound-map” has become an ongoing practice of reimagining musical parameters with openness and curiosity. This approach draws upon cultural memory while continually exploring the diverse media through which sound can emerge, interact, and resonate. The selected works listed below span chamber and orchestral settings, embrace both acoustic and electronic domains, and integrate scoring for instruments from both Eastern and Western traditions.

The Smell of Sunshine

for large ensemble (2025)

Vertical Scaling

for clarinet, violin, cello, and piano (2025)

Only the Winds Knows

for gayageum, violin, double bass, and percussion (2025)

When My Eyes Closed

for accordion, sho, and alto saxophone (2025)

Me and My Shadows

for Chinese traditional sheng and ensemble (2023/24)

Sleeping Light

for chamber orchestra (2024)

Growing Clay

for string quartet (2024)

Breath VI

for amplified accordion and electronics (2024)

Breath V 

for amplified flute and electronics (2023)

Trio

for violin, cello, and piano (2023)

The Embrace of the 
Wind and Memories

for amplified cello and electronics (2023)

Breath II

for string trio (2021/22) 

Breath III

for flute, clarinet, piano, and string quartet (2021)

DUO

for violin and viola (2022)

Breath IV

for large ensemble and fixed media (2021)

Long Nights

for percussion, clarinet, alto saxophone, and cello (2020)

Flow

for orchestra (2017/18)

The Embrace of the Bell
and the Breeze

for Chinese zheng solo (2017)

Yuan Zhi Li Lan
《沅芷醴兰》

for zheng and sheng (2016)

Two People

for two violins (2014/rev. 2017)

Pure Water Without Fragrance

for pipa and ensemble (2014)

Nocturne

for flute, clarinet, violin, viola, cello, and piano (2015)

On Leaving Cambridge Again
《再别康桥》

for soprano and piano  (2013)

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